Events
Induction Ceremony 2026
Saturday, August 1, 2026
2 p.m.
Woodson Regional Library
9525 S. Halsted Street
Chicago, IL 60628
The new Chicago Literary Hall of Fame class of Eleanor Taylor Bland, Stanley Elkin, and Ronald L. Fair will gain induction on Saturday, August 1 at Woodson Regional Library.
Bland [Dec. 31, 1944-June 2, 2010] wrote 16 police procedural novels featuring suburban detective Marti MacAlistor. The series began with 1992’s Dead Time and concluded with 2005’s A Dark and Deadly Deception. She also wrote short stories and edited Shades of Black, an anthology of crime and mystery stories written by Black authors. The MacAlistor novels are set in the fictional town of Lincoln Prairie, almost surely based on Waukegan. In fact, MacAlistor gets her name from a Waukegan street. The Chicago Tribune quoted Bland, around the time her first novel was published, as saying she wanted to create stories around real people and their challenges. That meant that her heroine juggled a family, including children, with the rigors of a career as a police detective. Bland stayed true to this vision until the end, when Kirkus Reviews called A Dark and Deadly Deception “part police procedural, part domestic drama.” Sisters in Crime’s The Eleanor Taylor Bland Crime Fiction Writers of Color Award annually grants $2,000 to a writer following a path Bland helped to blaze. Sara Paretsky wrote a tribute on her website that read, “She was among the first, if not the first, to create a hero who challenged the ‘mammy-whore’ stereotypes of African-American women. She believed the crime novel was a perfect vehicle for pushing the boundaries of America’s class/race/sex consciousness because you can tell a story and explore issues at the same time. With Marti Macallister, she said, she could ‘comment on slices of life within black culture….This is the one genre where you can talk about it and have a little fun with it.’ Her passionate commitment to the lives of children and those damaged families who get swept under our social-judicial rugs showed up time and again in her fiction. Eleanor’s support of the written word was legendary. She served on the board of the Waukegan Public Library and chaired their friends of the library. She also mentored writers like Libby Fischer Hellman and Michael Dymmoch, and served as president of Sisters in Crime.”
Elkin [May 11, 1930-May 31, 1995] grew up in Chicago, attended the University of Illinois, and remained a Midwesterner all his life, teaching in St. Louis. Chicago clearly affected his work, from his first published story, "A Sound of Distant Thunder" (based on a visit to the Maxwell Street Market) to the edgy urban scenes that arise in later work. Elkin’s influences range from Chekhov to Faulkner to Bellow, but his 10 novels and four collections of stories and novellas are wildly original, at once beautiful products of and scathing critiques of capitalist American culture. His 1971 novel The Dick Gibson Show is screamingly funny as well as deeply disturbing, often within the same paragraph. Elkin achieved critical (two National Book Critics Circle Awards, PEN Faulkner finalist, National Book Award finalist), if not commercial success. His colleague William Gass said of Elkin in a 1994 interview, “He’s a very disturbing writer, but people by and large don’t want to be disturbed.”
Fair [Oct. 27, 1932-Feb. 1, 2018], an African American writer born and raised in Chicago, is best known for his excellent 1966 novel Hog Butcher, which tells the story of a Black youth killed by Chicago police when he’s mistaken for a burglary suspect. Booklist called it “A moving indictment of the hypocrisy and tragedy of segregation in a land professing a religious and democratic way of life … an effectively compact, vivid, troubling book.” When Northwestern University Press published a new edition of Hog Butcher in 2014, novelist and lecturer Cecil Brown wrote an introduction, commenting: “Mr. Fair presented a new style of writing in Hog Butcher. The story is told not in a traditional narrative mode, but in an impressionistic style that relies heavily on interior monologue. … Along with Richard Wright’s first novel, Lawd Today! (published posthumously in 1963), Hog Butcher can be seen as a milestone in the use of interior monologue to portray the consciousness of African American characters. … Offering readers access to the minds of African American characters was an act of liberation.” Fair wrote three additional books: the 1965 novel Many Thousand Gone: An American Fable; 1970’s World of Nothing:Two Novellas; and 1972 the autobiographical novel We Can’t Breathe. In the early 1970s, critic Shane Stevens called Fair “one of the two best black writers in the country.” Hog Butcher was adapted into the 1975 movie Cornbread, Earl and Me, starring Laurence Fishburne, who was just 14 years old at the time. Library of America published a new paperback of Many Thousand Gone in 2023. Chicago Tribune writer Christopher Borrelli called it a “forgotten classic,” observing: “he reads now like a precursor to the fables of Percival Everett.”
The ceremony is free and open to the public. Registration is now open.





